| Instrument | Hideyuki Ezaki |
| Category | Japanese Classical Guitars 〔Used〕 |
| Number／Model | Class80 No.366 |
| Scale length | 650mm |
| Country | Japan |
| Year | 2023Year |
| Top | Spruce |
| Side＆Back | Madagascar Rosewood |
| Condition※ | 7 |
| List price | INQUIRE |
| Price (tax included) | Please Inquire |
| option | with Lightweight Semi Hardcase |
Click to enlarge the photos below
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Fingerboard：Ebony
Finish：Shellac
Tuning Machine：GOTOH
String height：1string 2.6mm/6string 3.5mm
[Profile]
1965 Joined Nippon Gakki Seizo K.K. (now Yamaha Corporation).
1966 Moved to the newly established Guitar Research Section. In charge of research and product development of handcrafted guitars.
1967 Developed and launched Yamaha's first three handcrafted guitars.
1972 Studied guitar making in Spain. Studied under Eduardo Ferrer in Granada for about one year and Manuel Hernandez in Madrid for about two years.
1975 Returned to Japan and started producing Yamaha GC-30B custom guitars as a maker.
1981 Returned to the guitar design department as an engineer.
During this period, he was involved in research on guitars in general, product development and launch, production management, manufacturing reform of overseas guitar factories, and start-up of new factories as a manager with guitars as his core business. He was also involved in domestic and international sales support and sales of guitars. He was in charge of overall promotion of classical guitars.
2006 After retiring from Yamaha, established 'Ezaki Guitar Workshop'.
2007 Started selling Hideyuki Ezaki brand guitars. Presently in charge of sales support and sales of classical guitars overseas.
2022 Continues to produce guitars at 'Ezaki Guitar Workshop'. Member of Japan Guitar Association. President of Hamamatsu Classical Guitar Fanclub and representative of Hamamatsu Classical Guitar Ensemble Acorde.
(*The above information is reprinted from his official website.)
[Description]
We are pleased to announce the arrival of Hideyuki Ezaki's No.80 (2023). The sound board is made of German pine, the back and sides of Madagascar rosewood, and the entire body is carefully finished in shellac. The internal construction of the instrument is clearly influenced by Hernández y Aguado, whom Ezaki studied under directly. Therefore, this piece is characterized by a brighter tone. The sound board has a few scratches, but the rest of the instrument is in very good condition.